A. A.Guryeva.Gasapoem «SangsaByeolgok»...
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text of the “Sangsa-byeolgok” poemwas put in the “model love literature
piece”—“Chunhyang-jeon”
㿮䟻㩚G
makes aproof to it. In situationwhen
themain female protagonist Chunhyang longs for her beloved after he left
is illustrated in the story by a lengthy Chunhyang’s “cry”, and “Sangsa-
byeolgok”makes up the bigger part of it.
Let us trace those specific features of the text that help discovering
the main theme of the poem, i. e. longing of a woman left behind by her
beloved. It is reasonable todealwith thisaspect throughanalyzing themode
serving thebase for the text structure: themodeofoppositional juxtaposing.
Thereare several juxtapositionexamples in the textwhichmaybe statedas
a number of time-oppositions and space-oppositions.
1. Space oppositions: а) the female narrator— the rest of the people;
b) the space of the narrator— the outer space.
2. Time oppositions: а) time before the separation— time after the
separation; b) spring— autumn; c) day—night.
Space oppositions:
Thefirst opposition
“the femalenarrator— the rest of thepeople”
servesa leitmotifof the textandmaybe found in thebeginning, in themiddle
and in the endof the poem.
㌗㌂ἂG㞚⌊G㰚◷㦚
㩲G⒮⧒㎪G㞢┞
Who else can know the emotions I feel
When I long formy beloved and can not see him?
ˎ
㻲㰖㧎ṚG┞⼚㯗㠦G
⋶Gṩ䔎┞Gන☚㧎⓪ṖG
Among the peoplewhoget separatedbetween
theHeavenand theEarth
Is there anyone likeme?
ˎ
⋮G䢒㧦G㧊⩂䞲Ṗ
⋾☚G㞚┞G㧊⩂䞲Ṗ
Am I alone like this?
Aren’t others like this?
This oppositionmakes the emotional atmosphere of the text sharper:
thesufferingsof thenarratorareexceptional.Besides,hersufferingsbecome
